Cambridge - The Market Place. A steel engraving with modern hand colour. Supplied mounted and ready to frame.
Cambridge - Caius College Chapel Interior. Uncoloured steel engraving.
Cambridge from the Ely Road. A steel engraving by John Le Keux after a drawing by F. Mackenzie. Modern hand colour. Supplied mounted and ready to frame.
Cambridge - St. John's College Chapel Interior. Uncoloured steel engraving.
Cambridge - Hall of King's College. Uncoloured steel engraving.
Cambridge - Hall of Pembroke College. Uncoloured steel engraving.
Cambridge - Trinity College Chapel Interior. Uncoloured steel engraving.
Cambridge - The University or Pitt Press. Uncoloured steel engraving.
Cambridge - St. Andrew's Church Exterior. Uncoloured steel engraving.
Cambridge - Barnwell Church Interior. Uncoloured steel engraving.
Cambridge - St Botolphe's Church Interior. Uncoloured steel engraving.
Cambridge - St. Botolph's Church Exterior. Uncoloured steel engraving.
Cambridge- Great St. Mary's Church Exterior. Uncoloured steel engraving. A few light brown spots to the white margins, which would be hidden by a mount.
Cambridge- Little St. Mary's Church Interior. Uncoloured steel engraving.
Cambridge - St. Michael's Church Exterior. Uncoloured steel engraving.
Caius College from the Fellows' Garden. Uncoloured steel engraving.
Clare College Quadrangle. Uncoloured steel engraving.
Emmanuel College - Chapel and Quadrangle. Uncoloured steel engraving.
St. John's College - The New Buildings from the Gardens. Uncoloured steel engraving.
St. John's College - The New Buildings. Uncoloured steel engraving.
King's College - The Library. Uncoloured steel engraving.
King's College Chapel, the Old Schools and the Senate House. Richard Harraden was born in London in 1756, where he worked as an artist before moving to Cambridge in 1798. Together with his son, Richard Bankes Harraden, he established a shop on King's Parade, from where they produced, sold and published prints and original works in oil and watercolour, targetting the University and tourist markets. Cantabrigia Depicta, first published in 1810, was a collection of 34 prints of Cambridge Colleges and other buildings of note, with associated descriptive text on each and a map of the city. The line engravings were based on original drawings by Harraden junior, and were performed by the sisters Lettitia and Elizabeth Byrne and Joseph Skelton. There were several later re-issues of the work. This print, from the first edition of 1810, shows King's College Chapel, The Old Schools (then the Public Library) and the Senate House, all taken from King's Parade. It was engraved by Elizabeth Byrne.
King's College from Clare Hall Piece (The Backs). Uncoloured steel engraving.
Peterhouse - Gisborne Court. Uncoloured steel engraving.
Queen's College Second Court. Uncoloured steel engraving.
Queen's College - Interior of the Hall. Uncoloured steel engraving.
Sidney Sussex College - The Hall. A steel engraving by John Le Keux after a drawing by F. Mackenzie. Modern hand colour.
Trinity College Main Gateway. Uncoloured steel engraving.
Trinity College - Statue of Sir Isaac Newton. Uncoloured steel engraving.
Trinity Hall from the Garden (Latham Lawn). Uncoloured steel engraving.
Oxford - Merton College Chapel from the Quadrangle. Memorials of Oxford was first published in 1837, though there were several later editions. It was a 3 volume work, with text written by James Ingram, and numerous steel engravings by John Le Keux after drawings by Frederick Mackenzie. Merton College was founded in the 1260's, and in 1266 was gifted the Parish Church of St. John to serve as its chapel. The church was in por repiar and had to be replaced by a new building on the same site around 1290. Extensions were added in the 14th and 15th centuries, and the church continued to act both as the college chapel and the parish church until 1891. Its huge east window is an important example of the later development of the Early English Style.
Oxford - The Martyrs' Memorial. Memorials of Oxford was first published in 1837, though there were several later editions. It was a 3 volume work, with text written by James Ingram, and numerous steel engravings by John Le Keux after drawings by Frederick Mackenzie. This print shows the frontage of St. John's College.