The Blaeu family were one of the leading Dutch map producers of the 17th century. Their major work was a multi volume world atlas initiated by Willem Blaeu and expanded by his son Joan. Their maps were beautifully designed and engraved, and are often found with original colour, making them most desirable to collectors. 1645 saw the first publication of volume 4 of the atlas, containing maps of England and Wales. There were several re-issues between then and 1672 when most of Blaeu's plates were lost in a fire which engulfed his Amsterdam premises. The Dutch text to the verso dates this example to the editions of 1647, 1648 or 1664. Original colour. Some marginal spotting, but away from the printed area.

This map was first published in the September 1751 edition of the London Magazine, which between 1747 and 1754 issued a complete set of English county maps by Thomas Kitchin. The maps were later re-published by Alexander Hogg in Boswell's Antiquities of England & Wales, initially in partwork from c 1787-9, and then in several complete editions of the work up to 1798. This example of the Wiltshire map is from the first complete edition of Boswell's Antiquities dating from c1789.

The last decades of the 18th century saw less emphasis being placed on the traditions of decorative mapmaking in favour of a plainer style and design. Foremost amongst this new wave of "modern" cartographers and engravers was John Cary. The New and Correct English Atlas was Cary's first major production as a publisher in his own account. The maps were not only clearly and elegantly drawn and engraved, but also set new standards in accuracy in taking advantage of all the new large-scale county surveys of the second half of the 18th century. The atlas was first published in 1787, with a re-issue in 1793. By 1808 the plates were well worn, and the engraving of a new set was begun. The next dated edition of 1809 utilised these new plates. This example is from the first 1787 edition of the atlas. Modern colour. A little soiled. A short repaired tear to the left-hand margin, not affecting the printed area. Mounted.

Charles Smith was a successful London publisher and map-seller, whose work is stylistically very similar to that of John Cary. His large format New English Atlas first came to market in 1804, but many of the maps have also been found in folding format and may have been sold individually before the publication of the atlas. Smith's maps were well designed and accurate, making use of the large scale county surveys of the previous half-century. The atlas was a commercial success and was up-dated and re-published regularly until c1865 (the latter editions produced by lithographic transfer). This example is from the 1808 second edition, and is in bright and original full colour.

James Pigot & Co's county maps were issued in their British Atlas (from c1829), in several of their national and local business directories (from 1826 for the "home counties", at least), and singly in folding form as travelling maps. They were amongst the first maps to be printed from steel instead of copper plates, allowing more accurate fine detail and less wear to the plates over time. Atlas and directories went through several editions up to around 1857, later editions from 1846 being re-named Slater's New British Atlas, with imprints changed accordingly. Original outline colour.

Thomas Moule's antiquarian leanings are evident in this series of highly decorative county maps - a stylistic throwback in an age when cartographic work had become much plainer and more utilitarian. The maps were engraved by W. Smollinger, J. Bingley and J. Dower, and first appeared in Moule's English Counties Delineated, a partwork with text issued from 1830-32. They were subsequently made available as a complete work in 1837 under the same title, and were later re-issued in Barclay's Universal English Dictionary between 1842 and 1852. This latter work ran to several editions and the maps were often updated between editions to show the latest growth of the railway network. This example is from the 1852 edition of Barclay's Dictionary.

These maps first appeared in Rowe's English Atlas of 1816, being subsequently acquired by a succession of later publishers and used in a variety of their works. They were modified and updated during this time. This example is the second lithographic transfer for Clarke's British Gazetteer, published in 1852 by H.G. Collins. Folded and trimmed close against bottom right hand border to fit the volume. A tiny repaired tear just impinging c 2 mm within the right hand border.

This distance chart, showing the mileages between the main towns of Wiltshire, was part of the county entry which first appeared in the May 1730 number of this serialised topographical partwork . John Morphew was the publisher of the work, but the engraver of the distance chart is unknown. The chart also includes the coats of arms of the 15 county boroughs. Modern colour.

This was one of a set of county maps engraved by John Lodge and issued between 1787 and 1790 in The Political Magazine, and Parliamentary, Naval, Military and Literary Journal, published initially by John Murray, and later by R. Butters. The maps were subsequently collected together and re-issued as an atlas (without title page) around 1795. For this atlas edition the imprint with the publication date and engraver's and publisher's signatures was removed from the maps. This example is from the atlas edition. The maps are well engraved in the plainer style then coming into vogue. They are uncommon, and sought by collectors.

This work was published in 1835 as a companion volume to Lewis's Topographic Dictionary. It contains county and borough maps, drawn by R. Creighton and engaved by J.& C. Walker, and was designed to show the electoral and boundary changes effected by the 1832 Reform Act. There were 2 issues of the work in 1835 and 1840, this example of the county map being from the 1835 first edition. Original outline colour. A couple of light brown spots.

This detailed and well engraved map was one of a set first published around 1812-14 by Robert Rowe, who was probably also their draftsman and engraver. The maps were initially sold singly in folding format until their collective issue in 1816 as The English Atlas. The plates were later acquired by Henry Teesdale, who amended titles and imprints and re-issued the work as the New British Atlas in 1829, with several re-issues up to 1842. The plates were later acquired and used by H.G. Collins and then by G. Philip and Son, who both used them as the base for lithographic transfers for a variety of works up to c1860. This example is from the 1830 second edition of Teesdale's atlas. Original wash colour. Slight waterstaining.

Chorographia Britanniae was one of the most popular 18th century atlases, offering county maps showing main roads, a handy pocket-size format and useful extra information provided in the notes. Maps from fhe first edition published in 1742 (but with maps dated 1741) initially had sparse topographical information, but within a few months a second edition was issued in which the maps were re-engraved to include many more towns and villages. Several later re-issues followed and the work continued to be advertised until at least 1759. This example is dated 1742, and is from the second edition of the work, with added place names. Modern colour. Mounted.

Malmesbury Abbey. The Antiquities of England and Wales was the product of Alexander Hogg who was well known as a partwork publisher. Under the claimed authorship of Henry Boswell it was issued serially from c1787-9, and subsequently made available as a complete work. The format was typically 2 (though sometimes up to 6) prints to a page, with one or two accompanying pages of descriptive text on each pair of subjects. It also included the set of English county maps by Thomas Kitchin first used in the London Magazine from 1747-54. Malmesbury Abbey was founded as a Benedictine house in the late 7th centry AD, and the town of Malmesbury grew up around it. The current Abbey was constructed in the 12th century, and mostly complete by 1180. Two major collapses in the 16th century - to the main tower and the west tower - caused great damage to other parts of the fabric, resulting in the shortening of the church. After the dissolution of the monasteries the surviving part became the parish church, and continues to fulfil that role today. This print, engraved by Peltro is supplied with the original, accompanying text. A slight crease.

Salisbury from the London Road . The European Magazine was published from 1792 until 1826, eventually building into 89 volumes. It offered a range of content and competed with the Gentleman's Magazine and others. This engraving of Salisbury was engraved by S.Rawle after I. Nixon, and was issued in 1805. Modern Salisbury originated from the removal of the bishop's seat from nearby Old Sarum, to a new site to the south. The new cathedral, built in the Earley English Gothic style, was begun in 1220 and mostly complete by 1280. The town grew up around it, receiving its royal charter and city status in 1227. It is notable for having the tallest spire of any British cathedral, and by the 14th century had grown to be the largest settlement in Wiltshire.